C.S.I. is an acclaimed edgy fast-paced drama series about a passionate team of forensic investigators (among them William Petersen and Marg Helgenberger) who work the graveyard shift at the Las Vegas Criminalistics Bureau. Their job - to find the missing pieces at the scene that will help to solve the crime and vindicate those who often cannot speak for themselves - the victims. Between the hidden clues and the buried motives lies the trail to the truth because people lie... but the evidence never does. Following on from the explosive Season 5 finale which saw the kidnap of team member Nick Stokes Season 6 sees the once fractured team reunited. With Las Vegas's bright lights and glamour as the backdrop the Clark County CSI night shift once more takes on the task of cleaning up what lies beneath the neon and the money. In this 3-disc release we learn of Warrick taking a walk down the aisle Nick tries to cope with his near death experience and Grisson will begin to open up and engage with his emotions and people. Features Part 2 of Series 6 Episodes 13 - 24. Episodes Comprise: 13. Kiss Kiss Bye Bye 14. Killer 15. Pirates of the Third Reich 16. Up in Smoke 17. I Like to Watch 18. The Unusual Suspect 19. Spellbound 20. Poppin' Tags 21. Rashomama 22. Time of Your Death 23. Bang-Bang 24. Way to Go
Both a critical and ratings success on its original ITV transmission The Sandbaggers was lauded in 2003 by the New York Times as being ""The best spy series in TV history"". 'The Sandbaggers' is a nickname for the Special Section of the British Secret Service - a team of special agents who were deployed during the Cold War. Run by the dour single-minded Neil Burnside (Roy Marsden) the 'Sandbaggers' are headed by the brash but conscientious Willie Caine (Ray Lonnen). In
Till the Clouds Roll By was the big MGM extravaganza of 1946, purporting to be a life of the first giant of the stage musical, Jerome Kern. Great chunks of Show Boat, Sweet Adeline and Sunny dominate while, in between excerpts, reliable Robert Walker does valiant work as Kern, lending a gentle credibility to even the most extravagant licenses taken by the writers. The liberties taken with Kern's story beggar belief, but what a fine excuse this is to sit back and enjoy a procession of gems from the great American songbook, performed by genuine legends. Judy Garland has two numbers as Marilyn Miller, both directed by husband Vincente Minnelli at the peak of their creative and personal relationships. Singing "Who?", she has to float down the proverbial staircase, obviously pregnant (Liza was born a short time later). Others to shine include Kathryn Grayson, June Allyson, Dinah Shore and, more bizarrely, a skinny young Sinatra drafted in at the last for a rousing "Old Man River". Most poignant of all is the presence of Lena Horne who, but for the racist values of Hollywood at the time, would have been a great film star. Ever confined to guest appearances, she here sings the songs of Show Boat's tragic half-caste Julie. When MGM filmed the musical in 1951, the same part went to Ava Gardner. On the DVD: Till the Clouds Roll By may boast digital remastering, but it could have done with a deal of restoration, too. Presented in 4:3 format, the picture quality is often pixellated and the soundtrack in "HiFi Stereo" is muffled and occasionally cracked. Considering its value as an archive of great performers, some rarely seen on film, this film deserves better DVD treatment. --Piers Ford
It may have been underrated when first broadcast, but executive producer Martin Scorsese's homage to the blues is a truly significant, if imperfect, achievement. "Musical journey" is an apt description, as Scorsese and the six other directors responsible for these seven approximately 90-minute films follow the blues--the foundation of jazz, soul, R&B, and rock & roll--from its African roots to its Mississippi Delta origins, up the river to Memphis and Chicago, then to New York, the United Kingdom, and beyond. Some of the films (like Wim Wenders's The Soul of a Man and Charles Burnett's Warming by the Devil's Fire) use extensive fictional film sequences, generally to good effect. There's also plenty of documentary footage, interviews, and contemporary studio performances recorded especially for these films. The last are among the best aspects of the DVDs, as the bonus material features the set's only complete tunes. Lou Reed's "See That My Grave Is Kept Clean" and the ElektriK Mud Kats' (with Chuck D. of Public Enemy) hip-hop-cum-traditional updating of Muddy Waters's "Mannish Boy" are among the best of them; on the other hand, a rendition of "Cry Me a River" by Lulu (?!) is a curious choice, even with Jeff Beck on hand. The absence of lengthier vintage clips, meanwhile, is the principal drawback. For that reason alone, Clint Eastwood's Piano Blues is the best of the lot; a musician himself, Eastwood simply lets the players play, which means we get extensive file footage of the likes of Art Tatum, Oscar Peterson, and Nat "King" Cole, as well as new performances by Ray Charles, Dr. John, and others. Overall, this is a set to savor, a worthwhile investment guaranteed to grow on you over the course of repeated viewings. --Sam Graham
FROM THE CREATORS OF THE ROCKY HORROR PICTURE SHOW ! It's not a sequel... it's not a prequel... it's an equal! Available on Blu-ray for the first time anywhere in the world, it is with absolute pleasure that Arrow Video presents Shock Treatment the criminally underrated sequel to The Rocky Horror Picture Show! Several years on from the events of the original Rocky, Brad and Janet Majors find their strained marriage put to the test on popular Denton TV show Marriage Maze. Poor Brad is heavily sedated and institutionalised, whilst Janet is given a radical makeover and primed for stardom. But what are the real motivations behind the kooky DTV crew and their enigmatic head-honcho, Farley Flavors? Featuring a host of familiar Rocky faces including Richard O Brien and Patricia Quinn, alongside the likes of Jessica Harper, Barry Humphries and Rik Mayall not to mention a rocking, shocking score from Richard O Brien and Richard Hartley Shock Treatment is the follow-up that s more than the equal of its predecessor. Extras High Definition Blu-ray (1080p) presentation Original Stereo 2.0 and 5.1 DTS-HD Master Audio Isolated music and effects track Optional English subtitles for the deaf and hard of hearing Archive audio introduction by Richard O Brien Brand new audio commentary with actresses Patricia Quinn and Nell Campbell Archive audio commentary by Mad Man Mike and Bill Brennan DTV Presents: A Shockumentary retrospective making-of featurette Let's Rock n Roll: Shock Treatment's Super Score archive featurette on the music of Shocky The Rocky Horror Treatment vintage behind-the-scenes documentary Patricia Quinn in Conversation with Mark Kermode Fan featurettes & cover songs Promo gallery featuring trailers, radio spot and stills Reversible sleeve featuring original and newly commmissioned artwork by Graham Humphreys
With just 28 days until before his impending execution young attorney Adam Hall sets out to trace the events of a grisly event in an effort to prevent his grandfather from going to the gas chamber for a racist murder... Chris O'Donnell and Gene Hackman star in this electrifying thriller based on the novel by John Grisham with a screenplay from Oscar winner William Goldman.
A daring expedition happens across a giant ape in this classic 1933 creature feature.
Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man". Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T-rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the century. Kong making his last stand atop the Empire State Building is one of the film's most indelible and iconic images. --Donald Liebenson, Amazon.comOn the DVD: Although a little light on extras, this is happily the Director's Cut, restoring scenes that were censored after the film's original 1933 run, including Kong peeling off Fay Wray's clothes like a banana, and our hirsute hero using unfortunate natives as dental floss. The ratio of 4:3 is correct for a film of this age; the picture and (mono) sound are perfectly acceptable without being revelatory. The 25-minute "making of" documentary from 1992 is a 60th anniversary tribute to the film, which details all of Kong's many ground-breaking contributions to cinema, from Willis O'Brien's use of stop-motion and rear projection effects to Max Steiner's music score. There are contributions from film historians, modern admirers of the film including composer Jerry Goldsmith--who admits that Steiner created a template that Hollywood composers are still following--and a few surviving participants such as sound effects man Murray Spivak. Apparently, director Merian C. Cooper's original idea was to capture live gorillas, transport them to the island of Komodo and film them fighting the giant lizards! Thanks to Willis O'Brien's pioneering effects work good sense prevailed and a cinema classic was born. --Mark Walker
"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
Major And The Minor (Dir. Billy Wilder 1942): A woman disguises herself as a child to save on a train fare and is taken in charge by an army man who doesn't notice the truth. Bachelor Mother (Dir. Garson Kanin 1939): Ginger Rogers stars as a department store salesclerk about to be laid off after the Christmas holiday who happens to be passing an orphanage when a woman leaves a baby on the doorstep. The orphanage assumes that Rogers is the mother despite her protests; when they contact the department store the owner's son (David Niven) decides to restore her job so that she can take care of the child. Before long rumors are flying that Niven is the child's father... Top Hat (Mark Sandrich 1935): Following a case of mistaken identity dancer Jerry (Astaire) follows Dale (Rogers) the girl of his dreams to Europe and tries to win her heart through song and dance routines... This most lavish of musicals from Hollywood's golden era features lyrics and music by Irving Berlin. Gay Divorcee (Mark Sandrich 1934): In one of their best loved most charming song-and-dance comedies Fred Astaire and Ginger Rogers demonstrate just how they became best known as America's greatest dance team. It Had To Be You (Dir. Don Hartman Rudloph Mate 1947): Victoria Stafford (Ginger Rogers) is a wealthy young woman who has been engaged three times and who has changed her mind at the last second at all three weddings. She is engaged again and is determined to wed her fourth fiance Oliver H.P. Harrington (Ron Randell) when she has a dream in which a man dressed like an Indian (Cornel Wilde) breaks up her fourth wedding. Upon awakening she is startled to find that the ""Indian"" from her dream is real... Tight Spot (Dir. Phil Karson 1955): Sherry Conley a street tough and cynical woman with an unhappy family background is taken from prison to a hotel where the DA tries to convince her to testify against a mobster. Sherry is reluctant because the last witness was murdered before he made it to the stand and why should she stick her neck out? At the hotel several attempts are made on her life and she falls for Vince the policemen guarding her...
Till the Clouds Roll By was the big MGM extravaganza of 1946, purporting to be a life of the first giant of the stage musical, Jerome Kern. Great chunks of Show Boat, Sweet Adeline and Sunny dominate while, in between excerpts, reliable Robert Walker does valiant work as Kern, lending a gentle credibility to even the most extravagant licenses taken by the writers. The liberties taken with Kern's story beggar belief, but what a fine excuse this is to sit back and enjoy a procession of gems from the great American songbook, performed by genuine legends. Judy Garland has two numbers as Marilyn Miller, both directed by husband Vincente Minnelli at the peak of their creative and personal relationships. Singing "Who?", she has to float down the proverbial staircase, obviously pregnant (Liza was born a short time later). Others to shine include Kathryn Grayson, June Allyson, Dinah Shore and, more bizarrely, a skinny young Sinatra drafted in at the last for a rousing "Old Man River". Most poignant of all is the presence of Lena Horne who, but for the racist values of Hollywood at the time, would have been a great film star. Ever confined to guest appearances, she here sings the songs of Show Boat's tragic half-caste Julie. When MGM filmed the musical in 1951, the same part went to Ava Gardner. On the DVD: Till the Clouds Roll By may boast digital remastering, but it could have done with a deal of restoration, too. Presented in 4:3 format, the picture quality is often pixellated and the soundtrack in "HiFi Stereo" is muffled and occasionally cracked. Considering its value as an archive of great performers, some rarely seen on film, this film deserves better DVD treatment. --Piers Ford
A unique collection from the 1970's and 1980's cult tv series - the four classic episodes included are: The Vorpal Blade: A notorious duel to the death in Germany in the 1920's has scarred the lives of many who were involved - including elderly aristocrat Von Baden who recalls the deadly challenge and reveals a shocking secret. The Tribute: Three thrifty ex-colonial ladies are re-united when they learn of the death of a devoted servant who once served all their familie
The Most Dangerous Game
Featuring Episodes: The Wrong 'Un Have A Nice Death Hit And Run and The Reconciliation
A fascinating and colourful screen biography of Jerome Kern (Robert Walker). It starts with the opening night of his smash hit Showboat and flashes back to his beginnings as an almost penniless songwriter. The film follows his friendship with James I. Hessler and journeys to England where the best songwriters are reputed to be and where he finds his early successes - and the future Mrs Kern (Dorothy Patrick). After some difficult times in the USA he collaborates with Oscar Hammerstein; the result being the classic adaptation of Edna Ferber's Showboat. The picture's grand finale features Frank Sinatra singing Ol' Man River. This is one huge and lavish theatrical feast; great entertainment!
From the writer of STOMP THE YARD comes a street dance film filled with heart-pumping moves and a sexy hip hop soundtrack.
The character of Charlie Chan was created by Ohio born Earl Derr Biggers Warner Oland played the part aplomb in this adventure Charlie Chan of the Honolulu police force crack detective and worldwide celebrity finds himself in England and accepts a case where he has to find a murderer in 65 hours to save an innocent man from the gallows the action takes place in a wealthy country home where there is more than one dead body the obligatory assault on Chan himself misleading clues an
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